I’ve
never been one to think if I don’t see a certain performer live, no matter how
much I enjoyed their music, that my life would somehow be lacking something.
Don’t get me wrong, I enjoy live music. There is nothing like the feeling of
the power a good group of musicians harness when working together. Some
performers also have a tremendous charisma and presence that just can’t be
ignored. Unfortunately for me, it is the totality of the event experience that
wears me down. I dislike fighting through traffic then through crowds. Finally
get to where you have rented a seat for the show’s duration just to cram your
body into a seat in a row along with other folks who have crammed their bodies
into seats. You also never quite know what to wear. If it is any kind of large
venue, the place will be cold just because there is too much open space to keep
the whole place warm. All this means you drag a coat to the venue only to have
to take it off to fit into the seat at which time you end up having to hold
your coat the whole show. And I could also talk about how some folks just don’t
know how to behave in public but I am coming to the slow realization that fewer
and fewer care about how they behave in public because they no longer know
shame or no longer take pride in being decent to others so I’ll just keep that to myself.
There is also a certain understanding that my musical tastes probably went out of style a good twenty years ago, at the very least. Still,
when the opportunity presents itself I will suck up my eccentricities to go to
a live show. Recently as a birthday gift, my wife bought us tickets to see
Emmylou Harris. So, on a Saturday night, we left our daughter with her
grandparents and kicked out the jams in our own laid back way. Knowing how I
dislike the whole event experience, Jennifer found just the right seats as we
were seated at the end of an aisle.
You
should know I have been a fan of Emmylou Harris’s music for many years. I
recall much of her music from early in her career. It though was her bluegrass
gem of an album “Roses In The Snow” that irretrievably made me her fan. My mom
and dad were in a mail-order music club where they could purchase eight-track
tapes at a reduced price back in the day. One selection that came to our house
was this album. I would play it over and over and over. To me there is not one
bad song on the album, from the plaintive “Wayfaring Stranger” to the lively
“I’ll Go Stepping Too” to the yearning of “Miss The Mississippi and You” right
down to the quiet hopefulness of “Darkest Hour Is Just Before Dawn”. Somehow
all ten songs connected to me in some way.
Of
course that album opened me up to the rest of her musical catalogue from her
folk days to her days with Gram Parsons then into her country music career then
into her forays where she has explored stretching her own musical boundaries
after country music drifted far away from it’s own roots until it is in the unrecognizable
pool of goo it wallows in today. As we took our seats on an autumn Saturday
night I wasn’t quite sure what to expect. After all, Emmylou’s performing
career stretches over parts of six decades and the selections she has recorded and performed
in that time reach back much further.
She
took the stage without introduction armed with her voice and a guitar then
started singing “My Songbird”. Her five-piece band, the latest version of the Nash
Ramblers, as cohesive a group as I have ever heard, joined her a song later.
What followed was a sampling of her career and the music which has influenced
her and in some way infiltrated my own life. There was Townes Van Zant’s
“Pancho and Lefty”. There was “Shores of White Sand”. There was “If I Could
Only Win Your Love”. There was Merle Haggard’s brutally sad “Kern River”. There
was "Love and Happiness", her duet with Mark Knopfler of Dire Straits. There was
“Red Dirt Girl”. There was her duet with the late Don Williams, “If I Needed
You”. There was “Goin’ Back to Harlan”. There was “Making Believe”, the classic
once popularized by Kitty Wells, my dad’s all-time favorite female singer.
There was “Wheels” from the Flying Burrito Brothers, a song penned by Chris
Hillman and Gram Parsons, Emmylou's lasting influence. And there was “Green Pastures”, one of those songs
from “Roses In The Snow”.
Two
hours and an encore later, we made our way toward home discussing the show. My
wife, not really an Emmylou fan, seemed to have enjoyed the show. I was able to
answer some of her questions about Emmylou’s career and music. What I didn’t
know would be found later on the internet. Even later, I reflected on the show realizing
what a wide swath of musical history we had heard that night. She had performed
songs which covered her whole career. A few of them were her own. Others had
been written by or performed by The Carter Family, the Louvin Brothers, Merle
Haggard, Kitty Wells, James Taylor, Dion, the Stanley Brothers, Don Williams,
Mark Knopfler and others. It was not just a career retrospective it was a doctoral
study in a truly uniquely American art form that few have the experience to teach.
Honestly,
I would have loved to have heard some of my other favorites. Maybe the guilty
pleasure of 1989’s “Heartbreak Hill” or her very personal “Boulder to
Birmingham”. Hearing her sing what I consider to be one of country music’s five
greatest songs, “Together Again”, would have been tremendous. It would have
been good to have heard some lost gems like “Drivin’ Wheel” or “I Don’t Have To
Crawl” or “Till I Gain Control Again” or “Satan’s Jewel Crown” or “Even
Cowgirls Get The Blues” or “White Line”. Some of her more recent songs like “Moon
Song”, “Back When We Were Beautiful”, “Her Hair Was Red”, “This Is Us” and “If
This Is Goodbye” would have been fun to hear as well. With Christmas nearing a
verse or two of “Beautiful Star of Bethlehem” or “Christmas Time’s A-Coming”
would have fit right in considering some people in our neighborhood already had
their Christmas trees visible through their living room windows before the Halloween
pumpkins had been removed from their neighbor’s front steps. Close it all out
with a verse of the gospel chestnut “Angel
Band”. Of course I could list a dozen more songs if I tried. But, I know, she can’t
sing all night. There was a bus ride ahead for her to the next show the next
night in Birmingham. Still, I found it all very satisfying. And all those songs
I would have loved to have heard her sing I can listen to most anytime as I
have for decades, in my car, at my desk at work or through any other number of
ways.
It’s
funny isn’t it how we often gravitate to a performer. In today’s musical world, Emmylou
Harris is yesterday’s news. Her time to churn out hits and stage massive
concert tours passed by years ago. I often feel that way with the music I
listen to when I can. Still, when she takes the stage her voice is as clear as
it was forty years ago when she was the hottest thing country music knew at the
time. Her music still resonates with me more than any performer churning out the hits today can. The distance time has put between then and now only makes what's left behind more timeless, more treasured. Those decades and the fickle nature of the taste of the public when it
comes to music may be why a Billy Joe Shaver-penned song that she performed near the end of her show rang so true to me as it often feels the
music I like, and time, in general, is passing by so quickly.
“It's
taken me so long but now that I know I believe
All that I do or say all that I ever will be
Too far and too high and too deep ain't too much to be
Too much ain't enough for old five and dimers like me”
All that I do or say all that I ever will be
Too far and too high and too deep ain't too much to be
Too much ain't enough for old five and dimers like me”
Now
excuse me, I need to find an eight-track tape player.



